Former Supreme Court judge Markandey Katju calls IITians non-Indians while addressing the students of Indian Institute of Technology-Bombay.

He visited the Institution on Friday to speak on various issues. He said that the students of IIT do not have genuine love for the country and they are utterly selfish with no patriotism or idealism left among them.

Later he took to twitter where he posted “Most of you IIT students have no genuine love for the country. You are utterly selfish, with no patriotism or idealism.”

He even said that he doesn’t expect anything from IIT students.

“India should not have any hopes from you because eventually you will serve America or Germany,” he added.

In his Facebook post, Katju mentioned that IIT students are utterly selfish.

He wrote, “All you want is to migrate to America (and most of you manage to do that), usually by first going for an M.Tech degree there (for which you get a scholarship), and then settling down there and enjoying comfortable life — and to hell with India.”

Not only that, he even went on to the tax sector where he said, “Your education in IIT is largely subsidized by the Indian taxpayer. But after we Indians pay for your education, you are taken away by America who benefit form your knowledge, which was imparted by us.

He lashed at IITians and further mentioned, “And after settling down in America, you will become NRIs — supercilious know-alls, who will give lectures to Indians about what is good for them and what is not.”

Genre:Period Drama
Cast:Ranveer Singh, Deepika Padukone, Priyanka Chopra
Director:Sanjay Leela Bhansali

Maratha history gets the full-on Sanjay Leela Bhansali treatment in Bajirao Mastani.

The overwrought but impressive extravaganza elevates the legendary 18th century warrior-hero determined to establish Hindu rule across the subcontinent to the level of a selfless crusader for love in a climate of hate and bigotry.

Bhansali fictionalizes several of Bajirao’s key battles but focuses more on the married Peshwa’s passion for Mastani, the beautiful and courageous half Rajput, half-Muslim princess of Bundelkhand.

Every emotion in the film – be it love, longing or valour on the battlefield – is translated into a grand and elaborate song-and-dance routine.

A couple of the musical set pieces do not ring true in a historical epic about a man whose place in history is primarily as an unvanquished general.

These are but minor aberrations in a sweeping love story that is mounted on such a grandiose scale and crafted with such vaulting zeal that eventually the smaller details cease to matter.

Bajirao Mastani is, in many respects, Bhansali’s most subversive film to date. Its central message is that all religions preach love but love has no religion.

Love, the film conveys via Irrfan Khan’s voice, is a religion by itself and those that swear by its tenets become immortal like Bajirao and Mastani.

Peshwa Bajirao, played with flair by Ranveer Singh, takes on the unbending clergy and his own angry family to uphold Mastani’s dignity after she arrives in Pune as his second wife.

To liven up this “love story of a warrior”, Bhansali, as is his wont, rustles up a series of spectacular visuals, each as blindingly awash in red, russet and gold and bathed in light and shade as all the others.

Some of the pivotal scenes are well conceived and executed and their impact is enhanced by the impressive performances from the principal cast.

While it is difficult to take one’s eyes off the screen, the pace of the narrative, which runs for more than two and a half hours, is not consistent.

Large parts of the first half of Bajirao Mastani appear to serve only one purpose: setting the stage for a more explosive second half.

But the wait is well worth it: the pace of the film quickens considerably after the two women in Bajirao’s life come face to face.

The headstrong warrior’s wife Kashibai (Priyanka Chopra), mother Radhabai (Tanvi Azmi), brother Chimaji (Vaibhav Tatwawdi) and son Nana Saheb (Ayush Tandon), each in his own way, seek to prevent Mastani from worming her way into the Peshwa fold and the family’s abode – Shaniwarwadi.

Mastani (Deepika Padukone) is shunned, humiliated and even brutalized as she refuses to give up her claim on the man she loves.

She equates ishq (love) with ibaadat (worship), and notwithstanding the religious and social resistance from those around Bajirao she stands firm and bears him a son.

Mastani wants her son to be called Krishna but the custodians of faith force her and the boy’s father to settle for a less Hindu name, Shamsher Bahadur.

Right at the outset – obviously under mounting pressure from the descendants of Bajirao Peshwa and from some historical purists – the film offers what must surely go down in the annals of Bollywood as the longest-ever disclaimer.

Among other things, the director admits in the introductory rider that he has taken liberties with facts. He need not have bothered.

At no point does Bajirao Mastani look any different from all the fictional tales that Bhansali has spun in his eventful career.

Bajirao Mastani is watchable primarily because of the craft that is on view in the pretty frames lit meticulously by cinematographer Sudeep Chatterjee.

The characters allude repeatedly to the sky, to the sun and the moon, to the clouds and to the elements in general in the stodgy first half.

However, except in the competently mounted CGI-aided battles scenes, the sky is rarely seen.
The film instead shows the audience the Valhalla-like grandeur of the sets, the striking costumes designed by Anju Modi and faces lit by fire-torches.

The second half looks and feels markedly different because the visuals open out to take in the sky and the rain and the wind to convey the larger war that Bajirao must fight against his co-religionists.

Bhansali gives us a trio of remarkable women in Bajirao Mastani. Besides the admirable Mastani, a magnificent warrior-princess and a courageous lover, the film has Bajirao’s aggrieved but dignified wife Kashibai and his widowed mother.

Deepika is absolutely outstanding as Mastani, a woman in a man’s world, a Muslim in a conservative Chitpavan Brahmin setting, and a mother driven by the power of love.

Priyanka has less in terms of footage and hangs around in the backdrop for the most part. But when the drama gets into its stride, she too comes into her own.

Tanvi Azmi as Radhabai, a tonsured lady in white calling the shots and constantly testing the patience of her strong-willed first-born, delivers a power-packed performance.

Bajirao Mastani is Ranveer Singh’s film. It has scenes – especially the one in which the male protagonist’s presence and voice are pitted against the presence and voice of Raza Murad (in the guise of the Nizam of the Deccan) – in which he comes up a little short.

But there is no missing the enormous hard work that has been done in order to get into the skin of the character.

In one of the early scenes, Ranveer gets the Puneri accent to perfection, but, for an inexplicable reason, does not follow through with it.

Despite its failings, Bajirao Mastani is the work of a director who never shies away from going the whole hog.

Even when Bhansali isn’t in full flight, he still manages to soar well above the mundane.

Bajirao Mastani is for those that think history is boring. There isn’t a dull moment in this colourful and dramatic film that embraces excess with unabashed abandon.

MUMBAI: With nearly 10 people dying on the railway tracks in Mumbai every day and many among them falling off overcrowded local trains, the Bombay High Court on Wednesday came down heavily on the Railways.

The court asked the Railways to prevent unlimited boarding on trains to reduce overcrowding on a particular train during peak hour.

It also asked the Railways to ensure policemen are posted at sensitive stations to prevent entry in crowded trains. The Maharashtra government has also been asked to consider changing office timings to prevent overcrowding in suburban local trains at peak hour.

The court’s suggestions came while hearing a Public Interest Litigation or PIL on the issue. The court also asked the Railways to replace the bare steel rods at the entrance of bogies with rubber surfaced installations so that the hands of commuters do not slip and they do not fall off the trains while travelling on footboards.

A division bench of Justice Naresh Patil and Justice SB Shukre made the suggestions to the State and Railways to curb the spike in number of accidents taking place on local trains in the city, which are considered the financial capital’s lifeline.

The court went on to ask whether the cost of human life is more important or not while suggesting the change in working hours. Last year, 3,425 people died on the tracks. This year that figure has already crossed 3,000.

MUMBAI: Mumbai builder Kamal Yadav’s cellphone has saved his life, literally. On Tuesday night, the builder was shot at by a group of people. The cellphone in his trouser pocket stopped the bullet, and Mr Yadav sustained only a minor injury.
Mr Yadav, 45, the police said, had gone to a bar in Dombivli near Mumbai. On his way to the toilet, he ran into Jitendra Mhatre, another builder. Though Mr Yadav apologised, Mr Mhatre continued abusing him.

The matter did not end there. When Mr Yadav stepped out, after finishing his dinner, Mr Mhatre and his four friends followed. The police say they assaulted Mr Yadav, and Mr Mhatre pulled out his gun and fired four rounds.
While one round was fired in the air, two others whizzed past Mr Yadav’s cheeks, narrowly missing him. The fourth bullet, however, hit his mobile phone and grazed his thigh.

Mr Yadav was rushed to the hospital. Mr Mhatre has been booked for attempt to murder and the weapon has been seized.

MUMBAI: The family members of artist Hema Upadhyay, who was killed along with her lawyer last week, suspect the role of her estranged husband Chintan Upadhyay in the double murder and want the police to probe it.

The deceased artist’s cousin brother Deepak Prasad told mediapersons yesterday that he and his other family members “strongly suspect Mr Upadhyay’s role behind the conspiracy to kill Ms Hema and her 65-year-old lawyer Harish Bhambhani”.

Mr Prasad also said that the motive, as cited, of the prime accused Vidhyadhar Rajbhar and his men to kill Ms Hema and her lawyer for Rs. five lakh was not true, as she had financially helped Vidhyadhar in the past and never asked him to return her money.

He also alleged that some years back, Mr Upadhyay had threatened Ms Hema that he would kill her and could go to any extent to do that.

Meanwhile, a senior police officer, who is probing the case, said, “When a body is recovered and identified, police immediately take the statements of the deceased’s relatives to get their version.”

“In this case too, we had taken the statements of the deceased’s relatives. Ms Hema’s relatives have accused Mr Upadhyay of hatching the conspiracy to kill her,” he said.

Based on the statements of Ms Hema’s relatives, Mr Upadhyay was constantly grilled for four days by several police officers in connection with the twin murders, said the officer.

The deceased artist’s husband still remains a “suspect” in the case, he said, adding the motive behind the murder is yet to become clear.

However, without proper evidence, police cannot arrest anyone based on mere allegations, he further stated. Only after the arrest of the Vidhyadhar, who is on the run, the police could get a clear picture about involvement of Mr Upadhyay, if any, the officer said.

He also said that Ms Hema’s relatives were trying to build pressure on the investigating team by approaching the media and expressing their views which they have already mentioned in the statements given to police.

Bodies of noted installation artist Ms Hema,43, and her lawyer Harish Bhambhani wrapped in plastic and packed in separate cardboard boxes were found dumped in a drain in suburban Kandivali on December 12.

The 16-year-old girl, who was arrested by the Anti-Terror Squad before she could join the Islamic State in Syria, has revealed that the terror group is planning to launch a massive assault on the Indian sub-continent by 2020. During her interrogation, the girl claimed that IS is planning to expand its area of control beyond Syria and Iraq and preparing grounds to target India by 2020. According to reports, the girl claimed that 8 to 10 men were in touch with her within India to carry out IS’s nefarious plans. The girl also said she was in touch with nearly 200 men from countries like Srilanka, Singapore, Canada, Kenya and Europe, who have shown interest in joining IS ranks. The girl was arrested from Pune as she was planning to leave the country to join the Islamic State.

The arrest came after the ATS began tracking the conversation exchanged between the teen and her sources from other countries. According to the ATS, the teen developed her interest for the terror group four months back on the internet. Gradually, she came in contact with a person from Sri Lanka and several others from other countries on Facebook, Twitter, Telegram and through emails. Through constant messages, the IS finally managed to convince the girl to join the terror organization in Syria next year. The group also reportedly promised to provide her with medical education. A man named Sirajuddin, who remained in contact with the teen, has been arrested from Jaipur. Officials say that Sirajuddin was an IS recruiter and an Indian Oil Corporation staffer, who would coax youngsters on social media to join the terror group. Police officials claim that there was a steady change in the teen’s lifestyle in the past few months. The girl slowly switched from wearing jeans to burqa and a hijab. The girl belonged to good family and had done her schooling from a convent school.

Yesterday Mamata Banarjee declared Kalimpong as a new district. This move is seen as major political plank by Mamta Banerjee targeting the 2016 elections. However this was initiated by Kalimpong MLA Dr Harkha Bhadur Chettri. Dr Chettri who after a bitter showdown with Gorkha Janmukti Morcha had resigned from the party but retained his MLA post.

Kalimpong a major agricultural area was deprived of funds allocated under GTA. It will be beneficial for the people of Kalimpong district to be allotted their own funds and development plans chalked out.

Darjeeling had been bifurcated and Kalimpong is going to be the new district. Mirick will be a new sub-division now. This is done with political aim, to weaken the Gorkha Janmukti Morcha’s organisation.

For the Kalimpong district to fuction however will take a year. The legal formalities
for creating the offices of the DMs, SPs and sub-divisional officers would reqire time.

Bimal Gurung head of Gorkhaland Territorial Administration was the first to congratulate for the formation of a new Kalimpong District. He was heavily banking on Kalimpong for 2016 elections with his frequent visits to kalimpong during the landslide in September.

The main agenda of the Gorkhas for the formation of Gokhland seems to have take a back seat at the moment. Mamta has played her cards well with the formation of Kalimpong district. It has didvided the Gorkhas into two major camps, one of Gorkha Jana Mukti Morcha and the Trimool Congress. CM Banerjee has formed different ethnic boards to win the support of the Lepchas, Thapas and Gurungs who pre-dominantly have a majority in the hills.